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“After going round in circles for a while, Michael Bay said we needed car parts, not alien insides-things that belong in car engines. “You take for granted how the robots look now, but in the beginning, they could have transformed into something with car panels and a closed look,” Fogler says. The modelers provide complexity with individual mechanical parts, which they combine until they they’ve created the robot’s shape. So, most of the former robots dropped right in, but they all needed some cleanup and improvement.” With robots, the formula we’ve come up with is that when you add enough detail to confuse your brain, it believes something is real. “When you’re dealing with organic creatures, to fool the eye into believing something is real, you add wrinkles and hair. For this movie, the modeling and painting team grew to 25.īig ’Bot Love Fourteen of ILM’s robots from the first film returned and received what model and viewpaint supervisor Dave Fogler calls “a round of love.” “The art department upped the complexity on the new robots,” he says. “They worked for nine months producing the hundreds and hundreds of objects that had to be modeled and painted.” For most films, ILM assigns five to seven modelers and texture painters on the crew. “We had the largest modeling crew this facility has ever had,” says Farrar of ILM. Including the vehicles that the robots transform to and from, and various buildings and bridges they destroy, ILM built 240 assets for the film, but the robots occupied most of the modelers’ time. “He’s the heaviest asset we’ve ever made…by far.” “He was daunting,” says Jeff White, ILM’s associate visual effects supervisor, of Devastator. The largest is ILM’s Devastator, also a Decepticon. The smallest robots are Microcons, ball-bearing sized Decepticons that assemble themselves into a large robot called Reed Man, created at Digital Domain. In addition, Asylum added non-robot effects. Digital Domain, the studio owned by Bay and others, created another 13. People cite a varying number of robots, depending on whether they count a ’bot reappearing in another form as one or two, for example, but the crew generally agrees that ILM, which shouldered the bulk of the work as before, created 46 robots.
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Three studios created the digital effects. Jetfire (top) an old robot that walks with a cane, and Wheelbot (bottom), a non-bipedal 'bot, join more than 30 new and 14 returning heavy-metal characters created at ILM. Optimus Prime crashes through a forest, breaking tree branches as it runs. Jetfire, an old Autobot new to the franchise, walks with a cane, hitches up his pants, carries a scene-and spits to show his disapproval. Bumblebee cries, but it also rips a Decepticon robot apart. The robots are more emotional than before, they have more dialog, display more heavy-metal brutality, and interact with the environment more explicitly. In Revenge of the Fallen, another 58 otherworldly robots in a universe of sizes and shapes join them. In Transformers, these two much-loved ’bots stood out among the 15 good and bad bone-crushing machines, all giant, mostly bipedal robots that transformed to and from a variety of vehicles. And once again, Autobot leader Optimus Prime and the Autobot Bumblebee, Sam’s Chevy Camero, protect the teen from the Decepticons, but this time they have more company. It’s a big adventure that travels all over the world.”Īs before, the plot centers on the evil Decepticon robots that want to rule the world, the Autobots that are determined to prevent them, and one unlikely human, Sam Witwicky (Shia LaBeouf), who holds the key to the Decepticons’ success.
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“Nobody shoots a movie like this anymore. “It’s a big movie,” says Industrial Light & Magic’s (ILM’s) Scott Farrar, who supervised the visual effects for the DreamWorks and Paramount presentation in association with Hasbro, as he had for Transformers. You can talk about Transformers: Revenge of the Fallen, Michael Bay’s sequel to his 2007 film Transformers, six ways to Sunday, and it still comes back to huge. Read in-depth features about how cutting-edge CG was created for various movies making Oscar buzz.ĭirector Michael bay's sequel, Transformers: Revenge of the Fallen, stars nearly 60 CG robots thanks to ILM, which built two thirds of the mechanical beast, and Digital Domain, which built the rest.